Holding the Note
Canto 2
Canto 1: The Day Before the Horses Died
CANTO 2
Hear the knocking of the wrench on flange, the ting and slide of bolts that dropped and rolled atop the bathroom’s basket-woven tile, the groans of teenage boys straining ‘gainst the white enamel cast-iron tub until the gasket, falling from the pipe, flopped onto the floor. The progress made, the boys observed, was just three inches, judging by the separated pipes. The younger boy, with parted hands as gauge of doorframe’s width, measured the tub, stepped back, and shook his head. You sure you need this thing got out? asked John. Hell of a job to get it down the stairs. Cal glanced into the belly of the beast. Where once the bottom of the tub had been a brilliant white, pink stains like dunes formed round the drain, distorted aureoles of blood. But worse than this, Cal couldn’t shake the sight of Merle’s pale body, still as winter frost, in tantalizing specificity each time he passed the sunlit tiled floor. When Cal had stood beside the casket at his father’s wake, he saw the marks of age upon his face. Merle’s corpse showed something else. It’s gotta go. I don’t care what it takes. They bent again to grip the curled edge and heaved the tub another inch or so toward the bathroom door. Cal should have burnt the letter long before he’d ever read his step-mom’s final words, for now her voice around his mind’s palate swirled with notes of customary bitterness. On this he quickly could grow drunk, and damning Merle, he swore he’d make a holocaust of all she loved and pictured leaping flames above her pile of worldly goods bright on the lawn. But in the blackout nights of wrath when Cal lay sprawled across the emerald couch downstairs, another voice of Merle’s would come and this with tenderness—infuriating love so subtle one’d forget it’d ever been. Now by the time the boys had got the tub away from the wall and lined up with the door, John's sweat had plastered locks of hair across his forehead, overcome his brow, and struck him blind. John paused, dabbed shirt to face, while Cal against his better judgment thumbed Merle's note, that relic of the dead which he kept close and folded in the pocket of his slacks. With that brief touch, the woman’s ghost appeared as bare as she had left the world, and though the movements of her mouth were soundless, Cal discerned the message she proclaimed, her last epistle writ for none other than him. He tensed his grip upon the cast-iron tub, as if in focusing his energy he might dispell the lovely wraith, and shoved that mass of iron toward John, still unprepared, who started hollering that his toe was pinched beneath the claw-foot beast. The boy fell back and pitched a fit that might, Cal thought, disperse the dead for miles around the ranch. Cal rushed around the tub and forced it off of John, who took off boot and sock to check his foot as Cal slid to the ground, his back against the vanity, and sighed. Her ghost was gone, but Merle’s incanted words still lingered there. How did this ranch become my life, she wrote, when all my girlhood dreams were of the sea? Didn’t my family and my friends attest a sapphire crown was my sure destiny? A beautiful, unblemished merchant queen ruling the waves beside her merchant king? And gazing in my mirror, I knew its truth. Yes, I could feel the silk upon my skin, could see ultramarine reflecting back from unaverted eyes (how could they take their eyes from me unless to bow their heads in grave respect for a goddess of the sea?), could taste the wine from Sangiovese grapes, taste mandarins and such exotic things. Then I met him. How confident he was that any man crossing the ceaseless blue must be a fool. My heart’s desires, he said, would not be found beneath the waves, for waves were but the skin of death’s domain and hid the bones of men lulled to an early sleep by ocean’s fatal lullaby. Indeed, that which I most desired, he claimed, would come from out the land itself, whose veins are gold or near-enough-to-gold, though black, to trade for precious things. I told him I would like a string of pearls. Of course you would! he said and promised that a landed man could send his servants to the sea for luxuries— and those but few—that land could not provide. And so he told me of the verdant tracts where species of grass flash like gemstones in the gentl’st wind. Of how the rolling hills outmatch the roiling sea since they are signs not of the imminence of death, but peace. Of how few owned quite so much land as he. Now, listen closely, Cal, for I was near your age and vain (I’m sure you’ll think me still) and gullible as Eve when I arrived to watch, beside your father, hired men with arms and faces slick with blackened gold scurrying 'round colossuses of wood; the derrick testified to an oil seep, to riches without end, and all for me. Abdicate your claim to a shifting throne atop the unruly sea, it seemed to say, and rule this man’s stable barony. Your father kept from that initial seep only enough to slake a young wife’s dreams— a duchess's trousseau if set against the country wives with whom we always dined, but meagre when compared to tens of thousands spent constructing derricks greedy for the oil your father hoped his land contained. A fortune gambled; fortune never gained. How many months did happiness, though false, indwell our home? I see it clearly now: Your father’s bid, espousing romance, hid an ill-conceived design at husbandry. A child needs a mother, true. But how could I at seventeen consider you, a four-year old, my son? A mother? No. Where parents wield authority and mold their child beneath their unrelenting hands, the two of us were given surer bond: I was a first-born daughter, you my late- born brother, choosing for ourselves to love or hate. Since I was not your origin, I knew a greater honor would be mine should you decide to view the world as I. And so I tried to make you love me as a sister does. Do you recall how I at first delighted you? Swinging you round and through the waist-high grass, so evergreen it seemed it’d never die? Laughter inspired by faces made right under Father’s nose? I used to smile. I did. Before the black- gold veins of mother earth evaded us. No other seep produced more than a day. I didn’t need to see the bank accounts to know throwing good money after bad for worthless derricks meant we’d soon be just another ranch. The final derrick drilled exhumed a spring, a subterranean stream that gushed until the flooded ground became my own forsaken sea but fouled by oil. And as I watched the iridescent blooms rippling atop the wind-blown water’s skin, the breeze brought in a haunting melody, a soothing song with which I had been known to hum my childhood self to sleep, a tune cut short, a single rumbling note sustained by oceanic lungs, condemning me poetically, as goddesses are wont to do when scorned by mortal vanity. The day we tore those wretched derricks down, your father, to remit his final debt, produced the promised double-strand of pearls. How odd it felt to clasp around my neck the symbol of my hoped-for royalty but made manacle now and teth'ring me to horseshit friends, locked in a horseshit town. I thought my pain was evident and hoped sympathy for your cherished sister might endear your heart to me, that we might stand against your father’s bullish silence, force open his eyes so he would see our joy diminished day by day. But yours did not. You relished in the land your father owned, the stench of horses, and the sun which marked you with your father’s brand, for you were made a captive of this ranch, the same as I. And I resented how you couldn’t see your reins, while I still wore the bridle bit. The ocean, though, had not forgotten me. And while its tune had turned from lullaby to song of imprecation, I took heart even in this, my reprimand. Some day, I thought, this curse might find its cure, and my penitent lips would kiss her shores when out of exile I returned. Thalassa! How I’ve longed to see your streets again, to hear the rapture of the waves against your wharf, to smell the incense of the sea whom I incensed when I forsook her waters in my vanity. Thalassa, I repent. Such was my refrain those nights as I awaited jubilee—I repent. But were we free, Cal, when your father died? His death meant bitter quiet in our home, emptier rooms the better to display how far estranged my little brother was. For I still saw in you, as I do now, that boy with brown, straw-woven hair, who brought me chorus frogs to name or, as I hung the laundry, doused me with a bucket to entice a chase that’d end in ticklish glee. No animosity or petty fight protracted through the years could shake our bond, devoted as I was to this idea: Our souls, dear Cal, were forged the same. This ranch, this town, could never circumscribe our hopes. To live here is to live alone. Can you imagine life wed to the homely girls these country dames produce? Your mother must have been the last fair face above a pair of breasts from Hatch to Wadsworth county line. So I considered how we might escape, how I unveil the glamours of the sea. Thalassa gave her beauty prodigally to girls with sea-bright eyes (like mine) and hair that falls in golden waves or darkling tides so pure they hold a star-sprent gleam, with waists that, Cal, I swear, the Venus could not boast a form the eyes would find more pleasing. But what a fool I was, believing I, who claimed the ocean’s glory for myself, could break the curse that had transfigured me into a ranchhand’s widow. Juno changed Callisto to a bear, and did that maid regain the form that had so tempted Jove? Below Polaris hang her ursine legs, forbidden rest within those cradled waves. None can revoke the judgments of the gods. The plum-dark ocean sings, will sing, and sang its charge against me as its breakers pulled Thalassa to the deep and blued the cheeks of all her gorgeous daughters, save for me. But do not think me spared because I lived. While I shovel manure, scrape afterbirth from knock-kneed colts, and watch black bruises form beneath my once elegant nails, on thrones of pearl my sisters reign with coral crowns. Whereas my body in a filthy pit will rot and none bring me to memory, the sea exalted them; their tragic deaths sailors will sing each time they pass that port no less immortal than Atlantis since it was likewise submerged. I am destroyed; they are reborn. And yet, though I submit to obscurity in death, let my demise bear fruit. For though your father’s passing failed to break our chains, I set you free, dear Cal. There’s nothing for you here. There never was. Soul of my soul, go find your destiny, and when the ocean sings, remember me. But Merle was no emancipator. Cal felt no relief dismantling the tub. He felt about as free as Sisyphus and wondered what would end the tasks Merle’s death had set before him. First, his father's gun became a stone to mark his hand like Cain's with fratricide (for all akin to Wren were kin to him). Each time the boulder dropped, there was another stall, another brother horse to raise his hand against. A spire of flame brightened their marble eyes, mirrored the Smith & Wesson's muzzle flash, and quenched to lifeless black. Two days his shovel broke the ground and sparked against the flinty bones of mother earth to dig a common grave. It took a day for him and John to grab their hooves and drag their bodies from the stalls and roll them, one by one, into the pit from first light till the sun was tucked behind the mound of dirt. And then another day rising before the dawn to bury them. Still Merle was wrong. Escaping from this ranch had never crossed Cal’s mind. Instead, he thought erasing her, however long that took, would be the better course. The vision Cal’s father had sold to Merle—triumphs of grass first green then gold against the silver sky— was not an aftermarket part of Cal but was inborn. His early memories conflated nature with the mother he had lost. She’d taken him each dusk to sit in stillness as the vesperites would flit and feast, and as she watched the western sky saturating from indigo to black, Cal watched her features disappear, dissolve into the land she loved. She must reside here still, he thought. How could he leave her side? No ghost of Merle’s would chase Cal from his home. And so he rose to exorcise the tub with John once more attired for the rite. They laid their hands upon the bath and said each one a silent prayer, but just as they began to lift, there was a knocking at the stairs, the shuffling footfalls of two men in bowler hats and suits. They came right to the bathroom door, as though they knew just where Cal could be found. These men were so alike they could have traded eye for eye or tooth for tooth and been no less themselves. Each wore a patterned ascot tucked into his vest, had sideburns of white hair along his jowls, and bore concise lips out of which no spare word might escape. Except the hands of one were fastened round a leather case, the next’s around the scrimshaw handle of his cane, Cal would have thought his vision duplicate. Knock, knock, said John. And who the hell are you? We are the bank, said the man with the cane. Cal looked at John and rolled his eyes and said, Well, shoot. Then let yourselves right in. But just to get ahead of things, I wouldn’t count on selling me nothing the bank has got. I do despise a loan. My father taught me that. What is it brings you to my home? And with a solemn smile the other said, A matter of some sensitivity. We’re looking for relations of Merle Grant, regrettably deceased. Would that be you? Cal spat into the tub and shook his head. She was my father’s wife. Nothing to me. I see no love was lost twixt you in death. Nevertheless, to the extent that you presume to be this ranch’s heritor, the designation of relation fits. The other man then placed his leather case beside the sink, released the latches, and retrieved some documents. He spoke before turning to Cal. We say presume to be because there is the issue of the lien against this house. Unless that debt is paid— My father owned this place outright, said Cal. For men so smartly dressed, you sure don't keep yourselves apprised of basic facts before you barge into a stranger's house. A man these parts is like to draw a pistol on folks who darken his door as soon as not. Our underwriters were of course aware your father owned this residence outright, and they confirmed the income of this ranch before they lent against its equity. Which is to say, the bank now holds the note, and more than that, the loan is in default. I'm telling you, my father never took no banker's loan, said Cal. The bankman, with his documents in hand, approached the boy and licked his thumb for better purchase on the page and, as he flipped through till he found the signatory sheet, he said, We are all firm believers that the written word has power. Though sticklers over terms, we will not quibble immaterial facts except to set the record straight. Your father, once upon a time, when his designs were to establish for himself a barony, certainly did secure himself a loan. A loan which he quite hastily repaid. But that is of such little consequence to the matter at hand, we’ll now move on. The man had found the page and laid it on the vanity so Cal might verify its applicant. You would not disagree the undersigned was authorized to take the mortgage, said the man holding the cane. His father was nowise affixed by word or implication on the deed, and yet Cal recognized the flourished script. The same delicate hand that had composed the note Cal carried with him night and day had signed her name—the M, its curving horns so like a crescent moon’s, gave way to miniscule, elaborate but compact; the aspect of the G implied a different lunar phase, somehow apocalyptic as it waned above the remnants of Cal’s family name. Dammit all, Merle, Cal muttered. Every bit. How far behind was she on payments then? The loan originated six months past. Since then no single payment has been made. The final notice of foreclosure was received, and we have verified receipt, three weeks before the borrower passed on. The man held out the signed and dated note preempting any argument from Cal. The bank has not been uncompassionate. In light of recent circumstances, we've deferred the requisition of this house and all its land, and made provision for an heir, that should he choose to remedy the loan by bringing those missed payments up to date, he shall thereby assume the loan as it was underwrit to one Merle Grant. Six months is quite some time, said Cal. Do I dare ask the sum that I should keep in mind? The principal and interest every month is three hundred three. With escrow, then, Two thousand eight hundred and eighty-one dollars and fourteen cents, the man replied. John, who had remained in silence since first apprehending that the presence of these men foreboded ill for Cal beyond what could be solved with scoffing words or at the barrel end of Cal’s dead father’s gun, could only say, Good God. And likewise Cal blanched at the sum, inwardly cursing Merle. The bankman packed his leather case and passed his twin into the hall. The one who held the scrimshaw cane looked at the boys and said, You have three days. Whatever you’ve removed, be sure that you replace. The tub conveys. And then they stumped back down the stairs and out the door, which swung and slammed with creaking hinge, and left the boys to marvel at this turn of fate; three days to raise a sum that Cal had never seen at once, without a horse but Wren to sell to raise the funds (and this was something Cal could never do, for Wren was the last living soul Cal’s father saw the moment when eternal sleep befell him). Despite this insurmountability, John felt a twinge of guilt at his relief that he and Cal would, for a time at least, be spared the stairwell’s treacherous descent. For such a thought, his penance clearly meant he would help Cal to raise every last cent.




A great addition, Dan. As for the length of the letter, well, maybe you'll have to decide when you can see it in context to the whole? If you were planning on, say, 4 Cantos, then maybe it's a bit long, but for something Omeros-esque I don't think it'd be considered long at all.
Narratively, I think this is working out pretty well so far.
Well done Dan. The pacing and the tension when the twins from the bank come in kept me hooked. The backstory/exposition with the letter feels a bit dense. It feels at times more like straightforward prose. But there's a lot of great lines and passages throughout!